Show simple item record

dc.contributor.authorDreyfus, Hannah
dc.date.accessioned2018-11-06T18:08:17Z
dc.date.available2018-11-06T18:08:17Z
dc.date.issued2014-04
dc.identifier.urihttps://hdl.handle.net/20.500.12202/4087
dc.identifier.urihttps://ezproxy.yu.edu/login?url=https://repository.yu.edu/handle/20.500.12202/4087
dc.descriptionThe file is restricted for YU community access only.
dc.description.abstract“So a novelist is the same as a journalist, then. Is that what you’re saying?” —Question asked by Judge William J. Rea during the MacDonald-McGinniss trial, July 7, 1987 The lines between fact and fiction can easily blur. Janet Malcolm, a contemporary American journalist, has dedicated much of her career to exploring the subtle distinctions between these indefinite lines. With an appetite for controversial subject matter and an aptitude for character-renderings that spare no unflattering detail, Malcolm’s journalistic work has sparked large, uncomfortable questions about the ethics of journalism and the nature of storytelling. Within her diverse body of work, Malcolm’s pointed descriptions of her subjects and striking rhetorical interventions stand out starkly. Her self-conscious ruminations within the text, generous use of ‘I’, and exaggerated criticisms of her field set her work apart from the work of other journalists. What do Malcolm’s conspicuous rhetorical interventions accomplish? How do they alter the reader’s experience of text? Why does Malcolm insist on a constant reminder of her presence and subjectivity? To explore these questions, I will closely analyze three of Malcolm’s most acclaimed works: “Annals of Scholarship: Trouble in the Archives,” Malcolm’s 1983 two-part installment in The New Yorker detailing the controversial story of psychoanalyst Jeffrey Moussaieff Masson; Iphigenia in Forest Hills, the haunting report of a recent murder trial that took place in the insular Bukharan-Jewish community of Forest Hills; and The Silent Woman, a meditation on the art of biography featuring the tragic and widely-disputed figure, Sylvia Plath. In all three works, Malcolm questions a writer’s ability to isolate truth.en_US
dc.description.sponsorshipS. Daniel Abraham Honors Programen_US
dc.language.isoen_USen_US
dc.publisherStern College for Womenen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectMalcolm, Janet --Criticism and interpretation.en_US
dc.subjectJournalistic ethics --United States.en_US
dc.subjectJournalism --Objectivity --United States.en_US
dc.subjectInterviewing in journalism --United States.en_US
dc.titleThe Clutter of Reality: Janet Malcolm’s Quest for Truthen_US
dc.typeThesisen_US


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record

Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States