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dc.contributor.authorBotwinick, Simeon
dc.date.accessioned2018-11-12T21:06:43Z
dc.date.available2018-11-12T21:06:43Z
dc.date.issued2011-05
dc.identifier.urihttps://hdl.handle.net/20.500.12202/4227
dc.identifier.urihttps://yulib002.mc.yu.edu/login?url=https://repository.yu.edu/handle/20.500.12202/4227
dc.descriptionThe file is restricted for YU community access only.
dc.description.abstractHow much can a historian learn about an era by studying its art? 1 It seems the consensus used to be: not much. Art and architecture were thought to be tools of the art historian, useful for discussing developments in the artistic realm but having little to do with the political, social, military, or religious world. As such, studies of the arts generally centered on the artists themselves, and the materials and techniques employed in the creation of their works. Little or no attention was paid to the social climate that gave rise to the works, or the effects that pieces of art had on viewers. However, this is all changing. Many historians are now asking new questions of classical images, seeking to use artistic works to help cast light upon the societies in which they were produced. This is especially helpful in the world of ancient history, where the supply of available sources for analysis is far smaller than that of later periods. Chief among these historians is Paul Zanker, who turned the academic historical world on its head with the publication of his The Power of Images in the Age of Augustus in 1987 (originally in German, but translated into English in 1990). Zanker presented art in the time of the Roman emperor Augustus, not as a realm separate from the political and social sphere, but as one deeply intertwined with them, that grew out of and gave rise to new social trends. Zanker took works of art and examined not just how their creators saw them, but how their viewers perceived them.en_US
dc.description.sponsorshipJay and Jeanie Schottenstein Honors Programen_US
dc.language.isoen_USen_US
dc.publisherYeshiva Collegeen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectGalba, Servius Sulpicius, Emperor of Rome, 3 B.C.-69 A.D.en_US
dc.subjectOtho, Marcus Salvius, Emperor of Rome, 32-69.en_US
dc.subjectVitellius, Aulus, Emperor of Rome, 15-69.en_US
dc.subjectVespasian, Emperor of Rome, 9-79.en_US
dc.subjectVisual communication --Rome.en_US
dc.subjectPropaganda, Roman.en_US
dc.subjectArt, Roman --Themes, motives.en_US
dc.subjectCoinage --Rome --History.en_US
dc.subjectEmperors --Rome --Portraits.en_US
dc.subjectRome --History.en_US
dc.subjectRome --Historiography.en_US
dc.titleThe Visual Propaganda of Galba, Otho, Vitellius, and Vespasianen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States