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dc.contributor.authorElson, Shaul
dc.date.accessioned2019-04-11T19:11:32Z
dc.date.available2019-04-11T19:11:32Z
dc.date.issued2018-05
dc.identifier.citationKafka’s Containers: Space, Gesture, Music and the Emptying of Subjectivity. Elson, Shaul. Thesis submitted in partial fulfillment of the requirements of the Jay and Jeanie Schottenstein Honors Program, Yeshiva College, Yeshiva University, May 2018.en_US
dc.identifier.urihttps://hdl.handle.net/20.500.12202/4358
dc.identifier.urihttps://yulib002.mc.yu.edu/login?url=https://repository.yu.edu/handle/20.500.12202/4358
dc.descriptionThe file is restricted for YU community access only. Mentor: Dr. Elizabeth Stewart, English Departmenten_US
dc.description.sponsorshipJay and Jeanie Schottenstein Honors Program.en_US
dc.language.isoen_USen_US
dc.publisherYeshiva College. Yeshiva University.en_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectspatial hermeneuticsen_US
dc.subjectAmerika (Kafka)en_US
dc.subjectThe Trial (Kafka)en_US
dc.titleKafka’s Containers: Space, Gesture, Music and the Emptying of Subjectivity.en_US
dc.title.alternativeThesis submitted in partial fulfillment of the requirements of the Jay and Jeanie Schottenstein Honors Program, Yeshiva College, Yeshiva University, May 2018.en_US
dc.typeThesisen_US


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Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States